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Thursday, July 13, 2017

Flattening the Landscape


There's a problem with this painting (OK maybe two problems). The first problem came to my notice when I sent a photo off to friend. She thought that there was a meadow in front of the trees on the right. Hmmm, it's supposed to be clumps of small plants floating on the water. Smaller than lily pads, bigger than algae. I asked myself why it doesn't look right. And to aid in the analysis, I went back to the scene, got out my trusty grid on plexiglass, and did a quick outline on top of the grid of what I was seeing.

Despite the fact that the reflection is different (it wasn't as windy this morning as when I painted the piece), it's pretty easy to see the problem now. The floating plants on both sides take up too much space vertically. They need to flatten out. I decided that those on the left weren't too bad (even if they don't look like the drawing on the plexiglass) and focused on the right side.


Above I wetted the dry painting with solvent and redrew the shape of the clump of plants in ultramarine blue.


And then I repainted the reflection on the right and added a few floating clumps in front to enforce the idea. I hope it looks more like floating plants to you now.

The plexiglass grid is an excellent tool to tell you when your drawing has gone wrong. And one of the most common ways drawings go wrong in landscape painting is when we are attempting to show a horizontal surface receding into the distance. Marsh paintings are particularly problematic. When this goes badly wrong, we appear to be hovering over the scene rather than looking into it.

You can make a plexiglass grid very easily. You'll need a piece of plexiglass from the hardware store. At my store they were happy to cut it for me. You'll also need a Sharpie permanent marker pen to make the lines and a ruler. You'll want a dry erase pen for drawing your scene, so that you can erase it. I made a bunch of these for my students in my recent drawing class and they've been put to good use.

To use the grid, you first need to check the aspect ratio. My plexiglass grids are 6"x8", so for this 8"x10" painting, I marked off a quarter of an inch on each side, making the grid 6"x7.5" (an 8x10 aspect ratio). Hold the grid in front of you until the view is enclosed by the grid. Holding steady, quickly sketch the shapes. Now move the grid back and forth in front of your painting until the painting fills the grid. Now you can see where your drawing has gone awry.

And actually, you don't need the grid if all you're trying to do is see whether your drawing has any issues. The plexiglass itself with the dry erase marker will do the trick. But the grid can be helpful in laying out your drawing, and in seeing whether your horizon is straight and whether the sides of buildings are vertical. And of course, it's better to do this at the drawing stage instead of painting over a problem.

The second problem is the slash of sky reflection in the water, it's a bit crooked. I think I fixed it well enough.





Wednesday, July 5, 2017

Demos Are Fun

Clouds Over Harbor Island
9"x12" oil on canvas panel
Windjammer Days 2017

Doing a demo is a great experience for an artist. It's a bit intimidating the first time, but once you realize that people are really interested in the process, not looking for a masterpiece, and will ask interesting questions, it's a lot of fun. I've set myself a goal of doing four demos this year, in addition to the small ones I do while teaching. Last week was my second, so things are on schedule.

Carol L. Douglas, Ed Buonvecchio, and I were among the artists demo-ing at Boothbay Harbor's Windjammer Days last week. We were fortunate to be able to set up across the harbor from the main part of town, where we had a sensational view of not only the passing windjammers, but the moored lobster boats and Harbor Island. We were in Fisherman's Memorial Park, in front of the Our Lady Queen of Peace church, which dominates the skyline of that side of the harbor. We had lots of visitors, and lots of explaining to do. I particularly enjoyed Carol and a young man who helped her identify each of the windjammers. Not that she needs much help, she's a regular at the boatyard where several of them live. I was busy mentoring his older sister, who wants to be an artist. It is so much fun to take our work out to where people can see it happening, and help them understand the process.

 American Eagle sails past a tug
Photo courtesy of Carol L. Douglas

 Carol paints the island
Photo courtesy of Annette Koziel

You may ask why we didn't paint an actual windjammer. It's much easier to demo something that sticks around for a least a few minutes, which the windjammers did not. The point is to be there for the people, not to paint the technically most difficult subject you can find. But it was tempting...

I love painting in this particular spot. The island is what the word picturesque was meant to describe. I've painted it before and will likely again.

Harbor Island
5"x7" oil on gessobord
painted in 2010

And before I go, I'm excited to tell you that I'll be co-hosting the Artists Helping Artists blogtalk radio show this month with Leslie Saeta. It's such an honor to do this, and I'm thrilled. I have learned so much from this show over the years. Though the focus is on art marketing, there have been many shows interviewing artists and people who artists depend on. One of my favorites was the interview with Robert Gamblin of the Gamblin paint company. If you aren't familiar with this show, do check it out. The archives are a real treasure trove for artists.

You can listen to the show live, or to past shows which are all archived, at the link below.
http://www.blogtalkradio.com/artistshelpingartists

And you can also listen to the AHA show, as it's called, as a podcast.

This week's show is "How to Use Lists to Organize Your Art" at 11AM tomorrow.


Monday, July 3, 2017

Happy 4th of July!

Fishin' on the Fourth 
8"x10" oil on canvas panel

The fourth of July is a big holiday in our neighborhood in Maine. One of our neighbors started a tradition years ago - a parade followed by a cookout. It's a blast. The kids decorate their bikes for the parade, everyone gets involved, and a nice loop is made around the neighborhood. There's even a beautiful old flag carried by its edges, a man on stilts, drummers, and a lady liberty.

The pledge of allegiance

Lined up and ready to go

 They're off!

I feel so privileged to live in a place where everyone gets along and can celebrate together.  This year, I take up the mantle of Lady Liberty from my friend Diana who just had her 85th birthday. I hope I can carry it off as well as she did.

Have an enjoyable fourth!