Wednesday, March 18, 2020

The Right Tools for the Job

Edisto Marsh Sky
5"x7" oil on gessobord

Have you noticed that part of the enjoyment of starting a new project is researching and buying some new tools? I'm not saying that's a bad thing. A new project means learning something new, and in my experience that's pretty attractive to most people. And we all know how hard it is to build something without good tools, so sometimes it takes a couple of passes to get the right ones.

12"x12" oil on gessobord

There are a number of mediums available for making paintings; oil, acrylic, water color, etc. And in any given medium, there's more than one way to apply the paint. Remember finger painting? I'm not going to try that with my oil paints...

Tidal River Reflection
5"x7" oil on gessobord

Most oil paintings are made using brushes. But painting knives are also used, in a process that's somewhat like frosting a cake. I've tried painting with knives a couple of times over the years. I like the way the paintings look, there's a lot of texture. And I like the looseness I can achieve with a knife. The lack of need for solvent and the way the knives clean up with a wet wipe is also very appealing. You know I'm always looking at ways to make things easier.

What I didn't know when I tried knives the first time is that painting on an easel isn't the best way. To paint with a knife you need to be able to move your hand around the surface of the painting from all directions, and that's much easier to do on a table or with a jig in your lap. And fortunately I had one.

Looking over my shoulder as I create the above painting
using the jig that holds the painting in place on my lap

So the new tools needed to paint with a knife are of course, knives. Painting knives have three important characteristics; size, shape, and flexibility. The size and shape you need are determined by the area you want to paint with a given color, and it takes some practice to figure that out. I like pretty stiff knives, but I may go for the softer ones as I get better at it. The other tool you need is a jig to hold the painting, so you can turn it around to slide the paint in your direction of choice. It also helps to keep the paint from getting all over you!

Stay tuned, this summer I'm going for plein air knife paintings of boats.

Wednesday, March 11, 2020

The Trouble with Buoys

Kittery Buoys II
12"x12" oil on canvas

I've had my troubles with lobster buoys, they're out there on the bay waiting for the careless mariner, and sometimes that's me. I remember once near Five Islands, wrapping one around the prop of our sailboat. Fortunately we were able to get loose from it without anyone going overboard in a wet suit!

Buoy #14 
6"x6" oil on canvas panel

On the other hand, they are beautiful, floating on a calm sea or bouncing in the spray. And they are colorful, which suits my purposes well. Rarely do I get to paint a floating lobster buoy from life, so I spend some time on the water taking pictures of them. It's tough unless our boat is going slow, at 10 knots I'm not such a good shot. I've deleted quite a few pictures where the buoy is sliding off the side of the photo.

Buoy #3
6"x6" oil on canvas panel

They make a great subject hanging on a wall as well, so I've recently spent some time searching for lobster shacks or neighbor's garages displaying them. Singly or in groups, I've been so pleased with how much you all have liked these buoy paintings. It's good to know that I'm not the only one who finds them a great reminder of time on the coast.

Buoy #2 
6"x6" oil on canvas panel

With buoys, as with dinghies, I'm more interested in the light and dark patterns than the actual colors in the photographs. Since lobstermen and women can paint them in any colors and patterns they choose, I feel we artists can do the same.

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